Retrograde

Can a fun museum be a good museum?

Illinois Times

April 8, 1993

A complaint about trends in museology, using a big special exhibit mounted by the Illinois State Museum as Exhibit A. I include the piece with misgivings on grounds I was, if not unfair, at least ungenerous toward the museum. Museum directors, unlike columnists, must deal with the world as it is, not the one they hope it might be.

 

I have always been a happy advocate for the ISM’s scientific work (especially during the administration of yahoo Gov. Bruce Rauner), and as I note here, going to the museum itself was a crucial part of my boyhood.

 

I missed the sock hop at the museum last month. Just as well; at my age, the Stroll looks more like the Crawl. But lots of other people found reasons to go to the Illinois State Museum for an afternoon of music, games, food, and memorabilia staged in conjunction with—translate that as, "in promotion of"—the museum's current exhibit, "At Home in the Heartland."

 

The public was invited to "rock around the Museum" and thus "make cultural history come alive." The text for the day included chapters on Marilyn Monroe, Elvis, '57 Chevys, cherry cokes, and poodle skirts. Earlier this year the Home exhibit spawned a seminar at which scholarly papers were read. This event did not merit the 70 square inches of color photographs that the State Journal-Register devoted to the Fifties Follies; scholars are not photogenic by the standards of daily journalism, being the sort of people who write about poodle skirts rather than wear them.

 

I have no objection to family fun. I have no objection to '50s nostalgia. I have no objection to pop anthropology; in terms of artifacts, our grandparents' lives are as distant from ours as those of the ancient Cahokians, and can be usefully discussed in the same ways. I do object to calling these things cultural history. The museum's invitation did not mention Little Rock, McCarthyism, Korea, the Beats, or the Bomb. Those things, while sadly a more substantial part of the culture of that decade than Mickey Mouse, are not fun, and fun is what the up-to-date museum is all about these days.

 

Museum exhibits used to stink of mold. Today they are more likely to smell of the supermarket aisle. No one, I suspect, is less happy about this trend than the scientists of the Illinois State Museum. They labor in undeserved obscurity at what I regard as an essential state institution. The museum was the best part about being a kid in Springfield in the '50s—the real '50s—and helping to pay for it is one of the more satisfying parts of being a taxpayer.

 

The ISM has struggled with more integrity than most to accommodate today's mass audience. (In this as in so many awful trends in museology, Chicago's Science and Industry sets the pace; there children can enjoy a "Paint Your Feelings" exhibit and answer true or false when a machine states, "A total person can say, 'I like myself!'") An occasional sock hop should not discredit an otherwise worthy institution any more than the occasional gardening supplement ought to discredit an otherwise worthy newspaper. Such accommodations are forced upon both by the cruel exigencies of the market. Museums are obliged to cultivate a mass audience to justify public funding for work that is by its nature esoteric, difficult to grasp, and remote from popular preoccupations.

 

Research in short is not enough. Museums must not only acquire knowledge but disseminate it. Thus has the ISM been infected by viruses spread by the Educationalist. The old museum (housed in the Centennial building until the early '60s) was serenely indifferent to my education as a boy. The evidence of, say, geology were laid before me; making sense of it required knowledge I did not possess and that the designers of the museum's displays provided only grudgingly. (Minerals, I later learned, are like people: what they are is not as interesting as how they got that way.) Chicago's Field Museum of Natural History displayed fossilized apatosaurus bones with the skeletons of mastodons, sloths, and mammoths in its recently dismantled "dinosaur hall" since 1921 and thus confused whole generations of visitors.

 

A new era in museumology dawned in the '60s, and brought us the ISM's now-familiar large animal dioramas. There is a touch of the melodramatic about some of them, but they remain wonderful examples of exhibit-making. With dozens of plant and animals species shown in context and combination, they reward careful and repeated looking of the sort that is conducive to reflection; more subtly, they represent in physical form the intellectual lesson they aim to convey, which is that ecosystems are crowded and complex and (so artfully are the actors in these minidramas posed) dynamic.

 

Dioramas are thought stodgy these days, I am told. Interactive exhibits are the thing. Kids seem not to have the patience (or on school tours, the time) to look at anything carefully. I probably would not have been patient either, had I been sated by age eight with full-color nature documentaries on 27‑inch color screens at home.

 

There are several reasons to lament the change. Educationally correct fun and games perpetuate the arrogant notion that the world is interesting to the extent that it amuses us. For another, fun is trivial, and making anything fun tends to trivialize it. Inviting five-to-seven year-olds to make Japanese-style rice paper murals for Mothers Day—one of ISM's activities for May—no doubt leads many kids to conclude that flower murals are the Japanese equivalent of Hallmark cards. (Multiculturalism on a stick.) And since the techniques by which science is usually made "accessible" these days mimic TV, they (like TV and for that matter conventional teaching) make kids passive participants intellectually, no matter how many buttons they get to push or how many artifacts they get to vandalize.

 

In short, what is wrong with the educational museum is what is wrong with education in general. Rather than try to make learning interesting, educationalists opted to make it fun. This made teaching easier—it is far simpler to make the significant fun than to make fun significant, since the latter requires knowledge while the former needs only skill—but it made learning harder.

 

Looking back, I wonder whether what was good about the old museums is what was "wrong" with them. A museum can be too educational. By that I mean that it can teach too much, especially to the young. The life-sized dioramas of Indian life now on display on the third floor convey at a glance what dozens of musty cases in the old museum only hinted at. This information is obtained at the cost of imagination, which used to do for the visitor what the museum's painters and model-makers and animators now do for her.

 

But what makes learning fun—really fun—is what we don't know but want to. A museum ought to be a place to learn, not just another place (like school) to be taught, and discovery requires the irritation of ignorance as a prod to further inquiry. By explaining too much, the educational museum deprives a kid of the best part of the learning experience, which is finding things out for herself.

 

In the old days I left the state museum knowing I didn't know anything. That was the best lesson I could have taken away with me. ●

SITES

OF

INTEREST

John Hallwas

Essential for anyone interested in Illinois history and literature. Hallwas deservedly won the 2018 Lifetime Achievement Award from the Illinois State Historical Society.

Lee Sandlin Author

One of Illinois’s best, and least-known, writers of his generation. Take note in particular of The Distancers and Road to Nowhere.

Chicago Architecture Center

See Home Page/Learn/

Resources for a marvelous building database, architecture dictionary, even a city planning graphic novel. Handsome, useful—every Illinois culture website should be so good.

The Encyclopedia of Chicago

 

The online version of The Encyclopedia of Chicago. Crammed with thousands of topic entries, biographical sketches, maps and images, it is a reference work unmatched in Illinois.

Illinois Great Places

The Illinois chapter of the American Institute of Architects in 2018 selected 200 Great Places in Illinois that illustrate our  shared architectural culture across the entire period of human settlement in Illinois.

McLean County Museum

of History

A nationally accredited, award-winning project of the McLean County Historical Society whose holdings include more than 20,000 objects, more than 15,000 books on local history and genealogy, and boxes and boxes of historical papers and images.

Mr. Lincoln, Route 66, and Other Highlights of Lincoln, Illinois

 

Every Illinois town ought to have a chronicler like D. Leigh Henson, Ph.D. Not only Lincoln and the Mother road—the author’s curiosity ranges from cattle baron John Dean Gillett to novelist William Maxwell. An Illinois State Historical Society "Best Web Site of the Year."

Illinois Digital Archives

 

Created in 2000, the IDA is a repository for the digital collections of the Illinois State Library and other Illinois libraries and cultural institutions. The holdings include photographs, slides, and glass negatives, oral histories, newspapers, maps, and documents from manuscripts and letters to postcards,  posters, and videos.

The Illinois State Museum

 

The people's museum is a treasure house of science and the arts. A research institution of national reputation, the museum maintains four facilities across the state. Their collections in anthropology, fine and decorative arts, botany, zoology, geology, and  history are described here. A few museum publications can be obtained here.

Chronicling Illinois

“Chronicling Illinois” showcases some of the collections—mostly some 6,000 photographs—from the Illinois history holdings of the Abraham Lincoln Presidential Library.

Chicagology

I will leave it to the authors of this interesting site to describe it. "Chicagology is a study of Chicago history with a focus on the period prior to the Second World War. The purpose of the site is to document common and not so common stories about the City of Chicago as they are discovered." 

Illinois Labor History Society

The Illinois Labor History Society seeks to encourage the preservation and study of labor history materials of the Illinois region, and to arouse public interest in the profound significance of the past to the present. Offers books reviews, podcasts, research guides, and the like. 

Illinois Migration History 1850-2017

The University of Washington’s America’s Great Migrations Project has compiled migration histories  (mostly from the published and unpublished work by UW Professor of History James Gregory) for several states, including Illinois. The site also includes maps and charts and essays about the Great Migration of African Americans to the north, in which Illinois figured importantly. 

BOOKS

 OF INTEREST

Southern Illinois University Press 2017

A work of solid history, entertainingly told.

Michael Burlingame,

author of Abraham 

Lincoln: A Life 

One of the ten best books on Illinois history I have read in a decade.

Superior Achievement Award citation, ISHS Awards, 2018

A lively and engaging study . . .  an enthralling narrative.

James Edstrom

The Annals of Iowa

A book that merits the attention of all Illinois historians

as well as local historians generally.

John Hoffman

Journal of Illinois HIstory

A model for the kind of detailed and honest history other states and regions could use.

Harold Henderson 

Midwestern Microhistory

A fine example of a resurgence of Midwest historical scholarship.

Greg Hall

Journal of the Illinois

State Historical Society

Click  here 

to read about

the book 

Click  here 

to buy the book 

Southern Illinois University Press

SIU Press is one of the four major university publishing houses in Illinois. Its catalog offers much of local interest, including biographies of Illinois political figures, the history (human and natural) and folklore of southern Illinois, the Civil War and Lincoln, and quality reprints in the Shawnee Classics series.

University of

Illinois Press

The U of I Press was founded in 1918. A search of the online catalog  (Books/Browse by subject/Illinois) will reveal more than 150 Illinois titles, books on history mostly but also butteflies, nature , painting, poetry and fiction, and more.  Of particular note are its Prairie State Books,  quality new paperback editions of worthy titles about all parts of Illinois, augmented with scholarly introductions.

University of

Chicago Press

The U of C publishing operation is the oldest (1891) and largest university press in Illinois. Its reach is international, but it has not neglected its own neighborhood. Any good Illinois library will include dozens of titles about Chicago and Illinois from Fort Dearborn to

Vivian Maier.

Northern Illinois University Press

The newest (1965) and the smallest of the university presses with important interest in Illinois, Northern Illinois University Press gave us important titles such as the standard one-volume history of the state

(Biles' Illinois:
A History of the Land and Its People) and contributions to the history of Chicago, Illinois transportation, and the Civil War. Now an imprint of Cornell University Press.

Reviews and significant mentions by James Krohe Jr. of more than 50 Illinois books, arranged in alphabetical order

by book title. 

Contact James Krohe Jr. at CornLatitudes@outlook.com

All material Copyright © by James Krohe Jr. unless otherwise indicated