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Illinois past and present, as seen by James Krohe Jr.
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Return to Broadacre City
Frank Lloyd Wright reimagines the city
I wrote two pieces about Frank Lloyd Wright’s Broadacre City concept. This one appeared in the Illinois Issues of Peggy Boyer Long, and I much prefer it to the treatment I gave the topic for Planning magazine.
A public fed up with banal buildings, uglified vistas, and traffic jams has given political potency to calls for reform of suburban development. But while most people agree suburbs ought to be different, no one quite agrees on how. Riverside, just west of Chicago, was an influential model for the 19th century railroad suburb, and Schaumburg is an archetypal 20th century auto suburb. What ought 21st century suburbia look like? What is its ideal density, the relation of its public and private parts, its provision for nature?
One answer to that question—Broadacre City—was announced 70 years ago. Broadacre City was Frank Lloyd Wright’s vision for the ideal multicentered, low-density, auto-oriented suburbia. Measured by the number of years he spent at it, Broadacre City was the chief work of Wright’s mature life. The architect introduced his scheme for a decongested city in 1932 in the book, The Disappearing City, and revised and expanded the concept until his death in 1959.
Broadacre City had virtually no discernible impact on the way cities were built; indeed, it is possible to earn degrees in architecture or planning and never hear of it. Yet the urbanizing fringes of Illinois’s cities look remarkably like what Wright imagined 70 years ago, at least in major aspects. If Wright did not inspire postwar development patterns, he anticipated them brilliantly. Most visionaries have a plan. Wright had a model—a 12-foot by 12-foot wooden model of Broadacre City that illustrated the concept as it might be applied to a representative four-square-mile plot of land.
The model shows a now familiar network of superhighways linked to a regular grid of arterial roads. The major intersections, as points of access and concentration, were the natural sites of large markets—embryonic Woodfield Malls—as well as churches and other institutions of mass civic and cultural life. In terms of land use, Broadacre City honored the precepts of Progressive era city planning that still shape cities across Illinois. Schools and houses were to occupy zones separate from highways and their associated commercial districts.
In terms of population density, Broadacre City scarcely deserved the name. Because families would be accommodated on lots of one to five acres, population density would be a very un-citylike five people per acre. (Officially, "urban" areas have at least 15 people per acre.) Apart from its density, the scheme was not very radical, certainly not when compared to the work of such other city inventors of the era as Swiss architect Le Corbusier. Broadacre City was not so much imagined as reported. Wright did not look into the far future for inspiration, indeed not into the future at all, but at 1920s Los Angeles and the Arizona desert around Phoenix, where the nation's first automobile suburbs were already beginning to sprawl.
Broadacre City today is usually dismissed as a rationale for sprawl. In Broadacre City, writes historian Peter Hall, Wright wove together virtually every strand in American anti-urbanist thinking. In fact, Wright had proposed not a new kind of suburb but a new kind of city. Wright deplored the suburban expansion already underway, by which the 19th century industrial city he hated—of which Chicago was the American archetype—appropriated the countryside. Wright was inspired to invective by Chicago the way Vachel Lindsay was inspired to verse by the flower-fed buffalo. His Broadacre City was not a city set in the countryside, a la Ebenezer Howard's turn-of-the-century Garden City concept. Rather, it was the countryside converted into a city that would be an improvement on both. No mere dormitory, its spread-out parts would compose an urban whole, with each family enjoying access to small farms, orchards and recreation areas, but with light industry and other urban facilities all within 10 to 20 miles of their house.
Land use patterns were not all that would have changed under Wright's plan. The physical layout of Broadacre City embodied a program for economic reform that was the keystone of a model democracy he called Usonia. His Usonia would be a bastion of anti-Marxist socialism whose outline was traced from the writings of such 19th century utopians as Thorstein Veblen, Henry George, John Ruskin, Pyotr Alekseyevich Kropotkin, Ralph Waldo Emerson, Edward Bellamy, and such now-forgotten cranks as C. H. Douglas and Silvio Gesell. Families would be freed from the yoke of the banker and the landlord. The means of production—anachronistically assumed by Wright to reside in the land—would not be held by the people in common but would be dispersed to them individually. Land would be taken into public ownership, then granted to families for as long as they used it productively.
Usonia was based not on cooperation but fierce individualism. Here he was more in touch with the average American than was the patrician Daniel Burnham or the communalist Jens Jensen. Broadacre City offered a means by which ordinary Americans might live in what the great urbanist Lewis Mumford called "romantic isolation and reunion with the soil" while enjoying urban economic opportunities and recreations. Broadacre City was Wright's White City, certainly, but one that owed as much to Dan'l Boone as to Dan'l Burnham.
Houses were to be designed as well as built by their owners in any style they wished. The neighborhoods would be individualism expressed in brick and wood, with no two houses alike, so long as they, like all structures in Usonia, were—in Wright's words—"integral, natural to their sites, materials, construction method and purpose." That crucial judgment about what constituted integral and natural was to be made by the central civil authority, in the person of what amounted to a county architecture czar. In his 1983 book, Man About Town: Frank Lloyd Wright in New York City, Herbert Muschamp pointed out that Wright's principled emphasis on individual sovereignty precluded the very civic order that his plan promised to provide.
Architecture critic Witold Rybczynski summed up the general view by describing Broadacre City as an "embarrassing foible of an aging master." Mumford praised it at first, in 1935—"on the whole, Wright's philosophy of life and his mode of planning have never shown to better advantage"—but 30 years later Mumford condemned the plan's "sprawling, open, individualistic structure" as being "almost antisocial in its dispersal and its random pattern." Muschamp, now the architecture critic of The New York Times, concluded that the plan was "too real to be Utopian and too dreamlike to be of practical importance."
Certainly Wright got a lot wrong. Suburbia will never match Broadacre City's low densities. The trend is toward more density rather than less, especially at the transport nodes where offices, assembly plants and other "higher order central place functions" are accreting. As Rybczynski put it in City Life, "We need both dispersal and concentration in cities—places to get away from each other, and places to gather—and it's time to stop assuming that one necessarily precludes the other." The likely result he describes as "Frank Lloyd Wright's Broadacre City meets Jane Jacobs' Greenwich Village," the first crude manifestations of which have already been visible for years in such places as Oak Brook, Schaumburg, and other citifying centers.
Wright also erred in assuming that free land was essential to a people's ability to support themselves humanely. He did not anticipate the degree to which prosperity would make it possible for millions to buy their own land. The typical suburban homestead turned out not to be the site of wealth production but the source of it. Today, the profits from house sales pay for college for the kids or a retirement home for the folks. Preserving its value by mastering the skills needed to maintain and improve it and its grounds is as close as the typical American family ever gets to the kind of husbandry Wright envisioned.
However loony his social ideas, and however backward-looking his economics, Wright had a keen nose for technological trends. What Wright in the 1930s decided exurban areas could provide, and what Mumford in the 1950s said they needed to provide (in the critic’s words) “partial self-sufficiency, with a more varied population and business and industry to support them,” the postwar suburbs did largely provide by the 1980s. Today, city and suburb are merging into a very Broadacre sort of place. This complex, hard-to-describe entity managed by technocrats is increasingly independent economically, offering not just places to live but places to make a living.
The edge city, in short, is an alternative to the central city, not just an appendage of it. The key is the car. Mumford was one of the first to complain that Broadacre City's configuration would reduce the number of nearby neighbors and thus the opportunities each resident had for social contact. But Mumford was a man of the city, while most Americans have always been reluctant urbanites. (Sprawl is not new; American towns have always sprawled, going back to colonial days.) Mumford’s complaint that Wright’s layout “demands motor transportation for even the most casual or ephemeral meetings” has since been echoed many times, but for most suburbanites this dependence is a practical problem, not a conceptual flaw.
Like most Americans, Wright saw the car as a liberating technology. The car would simultaneously make huge swaths of land accessible for development and make it possible to live on it without foregoing social connection. More than most, Wright realized that in an environment so physically attenuated, communities of place would be replaced by communities of interest, bound by telecommunications and transportation.
Visionaries spend more time consulting mirrors than crystal balls when they concoct their Utopias. When park designer Frederick Law Olmsted laid out Riverside in 1868, he imagined the ideal residential suburb as a park. Europhile Daniel Burnham in 1909 imagined the ideal Chicago as Paris. Jens Jensen sought to recreate in his urban plans for Chicago the opportunities for communion recalled from his native Denmark. Wright’s Utopia looked a lot like the rural Wisconsin he grew up in: a highly ordered landscape occupied by craftsmen and yeoman farmers and subordinated to the need to make a living.
That Wright anticipated so much of the past 70 years in suburban development will not recommend Broadacre City to everyone as a model for the next 70. The concept accepts, indeed embraces, the personal automobile and low-density development, both of which would be limited were most anti-growth programs ever put into effect. Wright perceived, as many sprawl critics do not, that suburbs did not make the car necessary; rather, the car made suburbs possible.
Peter Hall notes that in postwar suburban sprawl, Americans got the shell of Broadacre City without the substance. A fair enough judgment, if we assume that the substance of Broadacre City is Wright-s program of social reform. In fact, the substance of Broadacre City is aesthetic. What its author envisioned, writes Muschamp, was a “government not of laws but of aesthetics, of architecture, and of Wright.” Thus Broadacre City was not a conventional city plan, rather a work of architecture applied to a particular city form.
Wright did not seek to protect nature, for example; he appropriated it. Wright once said the countryside would not be destroyed by having his new city built all over it because “quality of building comes into the picture.” As one rival noted, he was the first architect in history to attempt to design a whole continent.
Broadacre City can be seen as less a plan to rescue the city than a plan to rescue architecture—or perhaps to rescue one architect in particular. Skeptics pointed out, not unfairly, that the Broadacre City model was a perfect sales presentation prop for what amounted to continental real estate speculation with Wright as chief architect. It would have been his way of restoring his profession to a central role in articulating civic order usurped by planners and developers. As Muschamp has put it, Wright was not against cities, exactly, only against cities he didn’t design.
In this, as in so many other ways, the world is still catching up to Wright. While his architect czar may never materialize in that form, the grounds on which local agencies assert a public interest in building decisions grows longer each year. For example, citizens, acting as both customers and voters, are more demanding that aesthetics at both the landscape scale and the house scale are matters of public interest as well as private taste. In fact, many of the controversies that excite locals to demand public action—preservation of open space, for example, or municipal bans on cookie cutter house designs—are aesthetic at root. Aesthetics might yet become a political program in its own right, rather than merely an approvable aspect of individual building projects. Wright’s county architect—elected, and thus entitled politically to act on the public behalf—might find a role after all. ●
Essential for anyone interested in Illinois history and literature. Hallwas deservedly won the 2018 Lifetime Achievement Award from the Illinois State Historical Society.
One of Illinois’s best, and least-known, writers of his generation. Take note in particular of The Distancers and Road to Nowhere.
See Home Page/Learn/
Resources for a marvelous building database, architecture dictionary, even a city planning graphic novel. Handsome, useful—every Illinois culture website should be so good.
The online version of The Encyclopedia of Chicago. Crammed with thousands of topic entries, biographical sketches, maps and images, it is a reference work unmatched in Illinois.
The Illinois chapter of the American Institute of Architects in 2018 selected 200 Great Places in Illinois that illustrate our shared architectural culture across the entire period of human settlement in Illinois.
A nationally accredited, award-winning project of the McLean County Historical Society whose holdings include more than 20,000 objects, more than 15,000 books on local history and genealogy, and boxes and boxes of historical papers and images.
Mr. Lincoln, Route 66, and Other Highlights of Lincoln, Illinois
Every Illinois town ought to have a chronicler like D. Leigh Henson, Ph.D. Not only Lincoln and the Mother road—the author’s curiosity ranges from cattle baron John Dean Gillett to novelist William Maxwell. An Illinois State Historical Society "Best Web Site of the Year."
Created in 2000, the IDA is a repository for the digital collections of the Illinois State Library and other Illinois libraries and cultural institutions. The holdings include photographs, slides, and glass negatives, oral histories, newspapers, maps, and documents from manuscripts and letters to postcards, posters, and videos.
The people's museum is a treasure house of science and the arts. A research institution of national reputation, the museum maintains four facilities across the state. Their collections in anthropology, fine and decorative arts, botany, zoology, geology, and history are described here. A few museum publications can be obtained here.
“Chronicling Illinois” showcases some of the collections—mostly some 6,000 photographs—from the Illinois history holdings of the Abraham Lincoln Presidential Library.
I will leave it to the authors of this interesting site to describe it. "Chicagology is a study of Chicago history with a focus on the period prior to the Second World War. The purpose of the site is to document common and not so common stories about the City of Chicago as they are discovered."
Illinois Labor History Society
The Illinois Labor History Society seeks to encourage the preservation and study of labor history materials of the Illinois region, and to arouse public interest in the profound significance of the past to the present. Offers books reviews, podcasts, research guides, and the like.
Illinois Migration History 1850-2017
The University of Washington’s America’s Great Migrations Project has compiled migration histories (mostly from the published and unpublished work by UW Professor of History James Gregory) for several states, including Illinois. The site also includes maps and charts and essays about the Great Migration of African Americans to the north, in which Illinois figured importantly.
An interesting resource about the history of one of Illinois’s more interesting places, the Fox Valley of Kendall County. History on the Fox is the work of Roger Matile, an amateur historian of the best sort. Matile’s site is a couple of cuts above the typical buff’s blog. (An entry on the French attempt to cash in on the trade in bison pelts runs more than
Southern Illinois University Press 2017
A work of solid history, entertainingly told.
author of Abraham
Lincoln: A Life
One of the ten best books on Illinois history I have read in a decade.
Superior Achievement Award citation, ISHS Awards, 2018
A lively and engaging study . . . an enthralling narrative.
The Annals of Iowa
A book that merits the attention of all Illinois historians
as well as local historians generally.
Journal of Illinois HIstory
A model for the kind of detailed and honest history other states and regions could use.
A fine example of a resurgence of Midwest historical scholarship.
Journal of the Illinois
State Historical Society
to read about
to buy the book
Southern Illinois University Press
SIU Press is one of the four major university publishing houses in Illinois. Its catalog offers much of local interest, including biographies of Illinois political figures, the history (human and natural) and folklore of southern Illinois, the Civil War and Lincoln, and quality reprints in the Shawnee Classics series.
The U of I Press was founded in 1918. A search of the online catalog (Books/Browse by subject/Illinois) will reveal more than 150 Illinois titles, books on history mostly but also butteflies, nature , painting, poetry and fiction, and more. Of particular note are its Prairie State Books, quality new paperback editions of worthy titles about all parts of Illinois, augmented with scholarly introductions.
The U of C publishing operation is the oldest (1891) and largest university press in Illinois. Its reach is international, but it has not neglected its own neighborhood. Any good Illinois library will include dozens of titles about Chicago and Illinois from Fort Dearborn to
Northern Illinois University Press
The newest (1965) and the smallest of the university presses with an interest in Illinois, Northern Illinois University Press gave us important titles such as the standard one-volume history of the state (Biles' Illinois:
A History of the Land and Its People) and contributions to the history of Chicago, Illinois transportation, and the Civil War. Now an imprint of Cornell University Press.
Reviews and significant mentions by James Krohe Jr. of more than 50 Illinois books, arranged in alphabetical order
by book title.
Run by the Illinois State Library, The Center promotes reading, writing and author programs meant to honor the state's rich literary heritage. An affiliate of the Library of Congress’s Center for the Book, the site offers award competitions, a directory of Illinois authors, literary landmarks, and reading programs.
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